My Screenplay

Saw Ghandi hanging out at Denny’s
Asked if I know Antonio Gaudi.
Dave, the manager, eyes darting arrows of service,
Warmed us up with hot dark coffee.
A hundred million kindnesses later,
Eternally seeking opportunities of love,
A young man, early twenties, quietly left.
Can’t breathe, he said, without a smoke
(Muted trumpet solo)
Life comes with the territory
Inexorably.

 

Here’s the deal:

I did make some movies and I did want to make a feature film. I was really interested in the magical technology of motion pictures. I loved the way the camera interpreted things by eliminating from within the frame of the image and in motion and in sequencing, revealing meta ideas. I felt I knew what I was doing about anything except what I was doing in the moment. It felt this way to paint, make music, write.

I learned to be invisible in school. Imagine a small Jewish child in an elementary school for children of conservative Christian parents, in classes led by teachers whose savior my ancestors crucified. (Is it PC to capitalize, Nazi?)  An unintended consequence of hiding out was that it masked and fortified immensity an artist’s ego. I’m now a phenomenon; freak of nature, for-mí-da-blé. In some ways.

Pages from the screenplay:

10 A Man and a Woman and a Man and a Woman and a Man and.. (dragged)

11 A Man and a Woman and a Man and a Woman and a Man and.. (dragged) 1

12 A Man and a Woman and a Man and a Woman and a Man and.. (dragged) 2

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