Pandephonium is music for a dance based on the story of Orpheus and Eurydice; a ballet that incorporates Chinese and Western musical forms and instruments. The protagonist, Arnold, is a photo journalist from Cincinnati. He and Weixia, a dancer from Shanghai, China, meet at Carnival in Bahia. Arnold follows Weixia to Beijing to negotiate marriage with her father, who lets her leave with Arnold on condition that Arnold may not utter a single word in English before he leaves China.
The score incorporates traditional Batucada and Chinese dance and musical forms, reflecting emerging global culture; honoring western and eastern sensibilities with an orchestra of western instruments as well as Guzheng, Xiao, Djembe, Tabla and a samba bateria. There are Samba and Chinese classical dance costumes and choreographic elements. There’s a choir of actors, who can be heard shouting, singing and applauding in the recording at the above Soundcloud.com link
The 25-minute piece posted on Soundcloud is both an overture and summary of the full score; outlining scenarios in which a company of dancers elaborate on Batucada and Chinese dance rhythms; at times with spectators in scenes, where audience members join in musical celebrations, singing verses and dancing. 25 minutes of music in the posted recording contains elements for solo, pas de dieux and ensemble dances and several transitional orchestral elements.
Quotations in the opening section reference traditional western classical and popular motifs, with flavors of Ives, Copeland, Bach, Mozart, Beethoven and Debussy along with rhythms of the West African diaspora (samba). Traditional Chinese melodies and harmonic rhythm underly the whole.
For more information about performances, please, you may contact me at Michael@michaelwinn.org