With VSL samples, I immitate what musicians do to produce a score. But when we listen again, our listening is different. As a score, there are places where instrumentalists, solo-duo-trio-septets can make ad hoc excursions. The harp suggests such an opportunity about midway (mm440), when the piano becomes dominant, a percussion, piano and english horn “divertimento” could be improvised. After a clear break, the piano begins solo, stalked by bassoon, developing a manage with strings…